Current State - Paintings in Progress

This is where I'm at with the three 40" x 50" paintings for the January show. After taking the photos, I added to them. Just need to live with them for a while since I've been trying to get them as far as possible with the little time I have in the studio. Plus delivery is next month on the 22nd! Yikes!

Over Inflated

Idea Lost

Started this 6' x 6' painting today and had to dig out the hair dryer to get the paint to set. The nights have been so cold that its still pretty tacky in the morning. So far I like the progress on this one.

(Detail)

Painting in Progress

Got on this one again, but had to take today off to frame pieces going to Fort Mason. Not too bummed since it's freezing out there. Frost on the ground this morning. Might be time to break out the hair dryer since the paint isn't setting as quickly.

Paintings in Progress

Still working on these damn things. Just started the 6 footer so I hope to have something up here soon. These two are 40 x 50 inches.

Here's a detail of the eye... eyes!

Paintings in Progress

Started another in this series of paintings. Here are a few photos from tonight.

Tabi Tabi Po @ 1AM Gallery

I'm in a show with quite a few Filipino artists from the U.S., Philippines and Norway. If you're in the city (SF) this Friday, drop by to the opening at 1AM Gallery.

What's goin' on in there!

I was in the studio last night and decided to make this short video of some current work for a show in January at SFMOMA's Artists Gallery at Fort Mason in San Francisco.

Hmmm?

Finally feeling like I'm getting someplace with these paintings. Ok, my studio is thrashed, but it's functional.

New Year's resolution...."Don't leave crap laying around so you can trip over it trying to make art...or what you call art!" I tripped twice tonight almost impailing myself on a paint brush handle.

Pluggin' Away

One month and three weeks left. I feel like I'm making some progress at a snails pace, but it's helping to be working multiple pieces. Check em out!

Artists in Training

Teaching Coco and her friend that colors eventually turn to MUD!

Ok, I confess... I don't have the patience for the amount of energy these two kids can unleash. Heather is the art lesson master. I bow to her!!

A Little Progress

These are the two paintings that I started a couple days ago. Have two more in the works with one in the wings. More to come. What you can't see here is all the crap that's out of frame.

The Painting Fast Has Been Broken!

After almost three months of not making art, I finally got into the studio (the garage) and have the beginnings of 2 new paintings. Not sure where it's all going, but I'm stoked to be painting again. Will post photos as they transform into less meaningful pieces.

Sorry Friend, This Is No Hemorrhoids by rtst4mrlyknwnasfrnd

Was in SF this past weekend so I went to the opening of Juan Carlos Quintana, Arvin Flores, Carlo Ricafort and Manuel Ocampo at A440 gallery, Jack Fischer's old space. The works are the collaborative efforts of these four artists. Very cool paintings. Here are a couple videos of the show.

Tabi Tabi Po

I was invited by to be in a group show called Tabi Tabi Po at 1AM Gallery in San Francisco next month. James Garcia is curating the exhibit and it looks to be a lot of fun. The theme of the show is mythical creatures from Filipino folklore. After reading up a bit, I decided to do a piece on a creature called Dila, or the Tongue. This creature enters the house (nipa hut) through the bamboo slats where it finds a victim and licks it to death. How could I pass that one up. So this is the drawing I did for the show.

I started it on a Thursday and finished it up on a Friday night. Delivery was this past Saturday. Note to self: Don't procrastinate!

White Box Panel Discussion

Chick here to view video stream
Out Of The Archive: PROCESS & PROGRESS GALLERY TALK
Wednesday, October 7, 6-8 pm
White Box, 329 Broome St. (BTW Bowery & Christie), NYC

Gallery talk with Bob Lee, Director of the Asian American Arts Centre, NYC
Exhibition curator: Angel Velasco -Shaw
Artists: Tomie Arai, John Yoyogi Fortes and Swati Khurana,
Writers: Jan Christian Bernabe, Karlyn Koh, Sarita Echavez See, Karen Su and Midori Yoshimoto

AAAC Exhibition

It was nice to finally see the work installed at the Asian American Arts Centre in New York. The highlight for me was finally meeting Angel Velasco-Shaw and all the writers and artists they were paired with. The panel discussion took place at the White Box .

Here are some photos that Heather took that night at AAAC.


Obedience, 2002


Work by Tomie Arai


Chatting with Karen Su, one of the writers.

A piece by Albert Chong

Back from New York

After a fun week in New York, we're back in Sacramento and the real world of family home life. I'll upload some photos of the trip, but here is one you done see too often. We were in Chelsea and passed by the Gagosian Gallery on West 21st and saw a huge Richard Serra piece being installed. Always wondered how they got those big pieces in the gallery.

The Last Piece in the Coal Shed

This is the last piece I did in my studio on Mare Island. I showed it at Corridor 2122 and now after some reconfiguring, it's in a show at the Asian American Art Centre in New York.

We're having a shed build to store work in the garage. Right now it's pack full on misc. junk so i haven't had a chance to hang new sheetrock and get working. It's very frustrating with 2 shows coming up.

Asian American Arts Centre

Announcement for the exhibit.

International Arts & Artists

Tangent
Acrylic on canvas
63" x 72"
2000

The Offering
Mixed media on canvas
66.5" x 39"
2000

A while back these two paintings were selected to be in a traveling exhibit through Artrain, Inc. called Infinite Mirror: Images of American Identity. Well, International Arts & Artists will be taking over the exhibit and the work will now go on a 3 year journey across America. I don't know the venue schedule yet, but will keep you posted once I hear.

All Moved!

This past Sunday with the help of my good friend Jack Alvarez, my studio on Mare Island in Vallejo is now vacant. It's amazing how much crap one can amass over time. I'll miss the huge hanger door and the picturesque view of the inlet, but I'm excited about having a studio at home for the first time. It's been dusty, cold, hot warehouses for a long time!

Heather has already ordered an intercom and surveillance video cam to watch my every move in the man cave, ha! So now the project begins getting the garage organized for some serious art making. I'll post some photos of the progress.

Mo laytah!

Asian American Arts Centre Press Release

For Immediate Release
Date: August 23, 2009

Contact:  Robert Lee
(212) 233 2154 / (917) 923-8118
aaacinfo@artspiral.org
www.artspiral.org

Process & Progress
Artists: Tomie Arai, Albert Chong, John Yoyogi Fortes, Swati Khurana
September 18 to October 30, 2009  
M - F 12:00 - 6:00pm, Sat 3:00 – 6:00 pm

Opening Reception: Friday September 18th 6:00pm - 9:00pm Curated by Angel Velasco Shaw Gallery Talk with Artists & Scholars at White Box 329 Broome St. on Wednesday October 7th 6 - 8pm with Tomie Arai, John Yoyogi Fortes, Swati Khurana, Karen Su, Karlyn Koh, Jan Christian Bernabe, Sarita Echavez See & Midori Yoshimoto

To commemorate the thirty-fifth year of mounting arts in a community context, the Asian American Arts Centre (AAAC) presents “Out of the Archive: Process and Progress,” a major exhibition program.  It aims to draw attention to the AAAC Artists Archive and its recently launched digital archive - artasiamerica.org .  This program includes a special exhibition installation, a gallery talk, a catalogue, several essayists, and online interactive events and opportunities for the audience. The digital archive, a major undertaking over two years in the making, consists of about 10% of the total 1,500 Asian American artists entries in the original archive, which reflects the last 60 years and several generations of artistic production.

The four artists presented, Tomie Arai, Albert Chong, John Yoyogi Fortes, and Swati Khurana, have been selected from a review of all the artists posted in artasiamerica.org by guest curator Angel Velasco Shaw. The printed catalogue has been edited and coordinated by Sarita Echavez See who selected four writers to participate with her in reviewing the artists' work: Karen Su, Karlyn Koh, and Jan Christian Bernabe.  AAAC seeks to expand the ways in which it has presented Asian American art in a community context. Expanding our approach to the literary arts, we are introducing a critical writing component in order to draw upon literary and cultural criticism for visual interpretive and critical thinking.

These essays shed light on these artists in a variety of ways such as: the artists' relationship to the work that they exhibited at AAAC in the past; the critique and contextualization of their current work; and the national and international context for these artists' creative production. Moreover, these essays launch an investigation into the shifting rhetorics of art criticism and cultural criticism. By bringing forth new perspectives in the context of the exhibition we aim to open up a critical dialogue that generates an appreciation for these art works and a critical language for substantively engaging with Asian American art.  In the era of globalization, the marketplace and the discourse associated with international art events, the exploration of identity has come to be seen as passé in many sectors of the art world.  Insisting anew on the importance of visibility and recognition for Asian American artists, the AAAC wants its archival resources to serve artists and audiences by providing opportunities for continual interpretation and valuation of diverse artists and their works. 
In addition to the online essays, the exhibition will also be online with an opportunity for online responses and comments by the audience. The Gallery Talk event on Oct  7th will be broadcast live on artasiamerica from White Box.   
Artists:
"The pieces in this exhibition span a period of two decades, from the family narrative of “The Laundryman” who sojourns to America to the social themes of Asian American writers and filmmakers in “Motion Pictures”. Since those gritty days on the Lower East Side the exchange of stories that captivated me as a muralist still informs my art practice."  –Tomie Arai

"It is my intent to present photographs that exist in a form contrary to the normal conception of what a photograph is . . . This new configuration is my attempt to find a creative and visually dynamic solution to the premise of the exhibition, which is how these four artists from the archives have used processes in their work and how it has enabled the growth or progress of their work. What may be less evident in the trajectories of our work may be the issues of race and identity." –Albert Chong

"Art is an integral part of my life and has been since I was a young boy . . . Most of the images used in my current work come from the Internet . . . Although culture and identity aren't the focus for creating content or imagery in my work, it does creep in from time to time . . . If there’s been progress, it’s the transition to my current process of working more intuitively at the onset combining materials and imagery with no concern for content, liberating me from my older more restrictive process."  –John Yoyogi Fortes

"As an Indian immigrant woman, I explore through my work gender, ethnicity and the seductive promises of rituals. Revisiting my large, traditional Hindu wedding composes a large part of my artistic practice, through video, sculpture, collages and drawings . . . The documenting of weddings and other personal moments as necessary fictions makes up the narratives of our lives. I became increasingly invested in exploring South Asian female subjectivity in my work."  –Swati Khurana
 
Swati Khurana
Albert Chong
Tomie Arai
John Yoyogi Fortes

Scholars: 
Dr. Karen Su is director of the Asian American Resource and Cultural Center at U of Illinois at Chicago. She has a Ph.D. in English and has taught and helped to develop Asian American Studies at numerous campuses on both coasts and the Midwest.
 
Dr. Karlyn Koh is associate professor of English and director of the Honors Program at LaGuardia Community College. Her current research includes a study of Asian North American avant-garde poetics and visual arts. 

Dr. Jan Christian Bernabe is a Futures of Minority Studies postdoctoral fellow at U of Michigan. He is currently working on a book manuscript tentatively titled Improbable Visions: Filipino Bodies, U.S. Empire, and the Visual Archives. 

Sarita Echavez See is associate professor of Asian/Pacific Islander American Studies at U of Michigan.  Her book The Decolonized Eye: Filipino American Art and Performance will be published this fall by U of Minnesota Press.
 
Dr. Midori Yoshimoto is associate professor of Art History and director of two galleries at New Jersey City U. Her book Into Performance: Japanese Women Artists in New York, 1955-75 interweaves the art and lives of five artists.
 
Curator: Angel Velasco Shaw is an educator, cultural activist, freelance curator, and independent filmmaker. She spends her time between New York and the Philippines. In 2008, she produced a series of cross-cultural exchange projects with artists from Indonesia, the Philippines, Singapore and the United States set in the Philippines. In 2002, she co-edited the anthology Vestiges of War: The Philippine-American War and the Aftermath of an Imperial Dream; 1899-1999 published by NYU Press.  
Asian American Arts Centre, Inc. is supported, in part with public funds from The New York State Council on the Arts, and The National Endowment for the Arts, New York City Department of Cultural Affairs. With additional funding and support from Lower Manhattan Development Corporation, 9.11 Fund, Lower Manhattan Cultural Council, Manhattan Mini Storage/Edison Properties Inc, the NYC Parks & Recreation’s public art program, Materials for the Arts, NYC Department of Youth & Community Development and the Office of Councilman Alan J. Gerson through CREATE in Chinatown, Inc, New York Cosmopolitan Lions Club, Pearl River Mart, United Orient Bank, Dedalus Foundation, Expedi Printing, Inc., Charles Yuen, Wing Tek Lum, Jody and John Arnhold, Danny C.K. Li, Jeanne Lee Jackson, Linda Peng, Wing Lee Yee, Mikyung Kim, Richard Kenny Esq,  John Yu, and the many generous friends of the Asian American Arts Centre.
The Asian American Arts Centre is located in Lower Manhattan at 26 Bowery (just below Canal Street, 3rd floor above McDonalds. Press bell #3.). It is a short walk from the N, Q, J, M, Z, and 6 trains at Canal Street or the B and D at Grand Street or the M103, M15, or M9 buses to Chatham Square.  
       
The Asian American Arts Centre was established in 1974 as a not-for-profit organization to address the distinctive concerns of Asian Americans in the United States. The Artist Slide Archive of more than 1500 artists is open to all visual artists residing in the United States and its trust territories, who are of Asian ancestry as well as those artists who are significantly influenced by Asia.
Gallery Hours: M-F 12:30PM - 6:30PM, Sat 3:00PM - 6:00PM

Contact: Phone: 212.233.2154/917.923.8118
FAX: 1.360.283.2154 | Email: aaacinfo@artspiral.org

Asian American Arts Centre

Heather, Coco and I will be heading to New York in October for a panel discussion at the Asian American Arts Centre. There are 4 artists, one being myself, who were chosen from the archives to exhibit new work. Heather's pretty excited to be going to the Big Apple where she lived while being a photo assistant, then photographer. I haven't been there since I last showed at AAAC. This is one of the pieces being shipped there.

Breaking Down!

Well the big move is coming up so I've been breaking down the studio. A pain in the ass! I have found a ton of art that I forgot I did. Will have to resurrect them once we're in Sac. Speaking of resurrect, I found this in the studio. I got it on ebay about 7 or 8 years ago. It was the same PBN kit that my brother had as a kid. I remember using the oil paints on a model car I was building and the paint never dried.

I used the image of the painting my brother did in a 7 x 10 foot painting called, "The Cannibalism of Topdok." Here's the painting that's in the collection at the Nevada Museum of Art in Reno.